Classical Story based Reading Comprehension (RC02)


The Breakdown

Reading Level (English Vocabulary) 70%
Theme and Idea (Abstractness) of passage 80%
Inference Level of Questions 90%
Ambiguity Level in Answers 80%
Just Like That 80%

Read the Passage below, and answer questions based on the context of the passage

Chopin tackles complex issues involved in the interplay of female independence, love, and marriage through her brief but effective characterization of the supposedly widowed Louise Mallard in her last hour of life. After discovering that her husband has died in a train accident, Mrs. Mallard faces conflicting emotions of grief at her husband’s death and exultation at the prospects for freedom in the remainder of her life. The latter emotion eventually takes precedence in her thoughts. As with many successful short stories, however, the story does not end peacefully at this point but instead creates a climactic twist. The reversal–the revelation that her husband did not die after all– shatters Louise’s vision of her new life and ironically creates a tragic ending out of what initially appeared to be a fortuitous turn of events. As a result, it is Mr. Mallard who is free of Mrs. Mallard, although we do not learn whether the same interplay of conflicting emotions occurs for him.

Beyond the question of female independence, Louise seems to suggest that although Brently Mallard has always treated their relationship with the best of intentions, any human connection with such an effect of permanence and intensity, despite its advantages, must also be a limiting factor in some respects

Reading Comprehension Question Set 02

1. Based on the passage what can be concluded is the "tragic ending" that occurs in the story?

  1. Mallard is arrested for conspiracy to commit murder of Mr. Mallard
  2. Mallard dies on seeing Mr. Mallard
  3. Mallard is murdered by Mr. Mallard on his return as a revenge for plotting his murder
  4. Mallard divorces Mrs. Mallard and becomes ‘free’ of her

2. What is the central theme of the passage?

  1. Critical evaluation and summary of a short story involving Mr. and Mrs. Mallard
  2. Inherent bondage that some relationships might bring in spite of no overt restrictions
  3. Complexity of human emotions as it traverses grief and exultation almost simultaneously
  4. Ideas on Love and Marriage and how age affects them

Original (Scan) Image of the story published in 1894 in Vogue (Author Kate Chopkin)

Full "The Story of An Hour" by Kate Chopkin, 1894

Knowing that Mrs. Mallard was afflicted with a heart trouble, great care was taken to break to her as gently as possible the news of her husband’s death. It was her sister Josephine who told her, in broken sentences; veiled hints that revealed in half concealing. Her husband’s friend Richards was there, too, near her. It was he who had been in the newspaper office when intelligence of the railroad disaster was received, with Brently Mallard’s name leading the list of “killed.” He had only taken the time to assure himself of its truth by a second telegram, and had hastened to forestall any less careful, less tender friend in bearing the sad message. She did not hear the story as many women have heard the same, with a paralyzed inability to accept its significance. She wept at once, with sudden, wild abandonment, in her sister’s arms. When the storm of grief had spent itself she went away to her room alone. She would have no one follow her. There stood, facing the open window, a comfortable, roomy armchair. Into this she sank, pressed down by a physical exhaustion that haunted her body and seemed to reach into her soul. She could see in the open square before her house the tops of trees that were all aquiver with the new spring life. The delicious breath of rain was in the air. In the street below a peddler was crying his wares. The notes of a distant song which some one was singing reached her faintly, and countless sparrows were twittering in the eaves. There were patches of blue sky showing here and there through the clouds that had met and piled one above the other in the west facing her window. She sat with her head thrown back upon the cushion of the chair, quite motionless, except when a sob came up into her throat and shook her, as a child who has cried itself to sleep continues to sob in its dreams. She was young, with a fair, calm face, whose lines bespoke repression and even a certain strength. But now there was a dull stare in her eyes, whose gaze was fixed away off yonder on one of those patches of blue sky. It was not a glance of reflection, but rather indicated a suspension of intelligent thought. There was something coming to her and she was waiting for it, fearfully. What was it? She did not know; it was too subtle and elusive to name. But she felt it, creeping out of the sky, reaching toward her through the sounds, the scents, the color that filled the air. Now her bosom rose and fell tumultuously. She was beginning to recognize this thing that was approaching to possess her, and she was striving to beat it back with her will–as powerless as her two white slender hands would have been. When she abandoned herself a little whispered word escaped her slightly parted lips. She said it over and over under hte breath: “free, free, free!” The vacant stare and the look of terror that had followed it went from her eyes. They stayed keen and bright. Her pulses beat fast, and the coursing blood warmed and relaxed every inch of her body. She did not stop to ask if it were or were not a monstrous joy that held her. A clear and exalted perception enabled her to dismiss the suggestion as trivial. She knew that she would weep again when she saw the kind, tender hands folded in death; the face that had never looked save with love upon her, fixed and gray and dead. But she saw beyond that bitter moment a long procession of years to come that would belong to her absolutely. And she opened and spread her arms out to them in welcome. There would be no one to live for during those coming years; she would live for herself. There would be no powerful will bending hers in that blind persistence with which men and women believe they have a right to impose a private will upon a fellow-creature. A kind intention or a cruel intention made the act seem no less a crime as she looked upon it in that brief moment of illumination. And yet she had loved him–sometimes. Often she had not. What did it matter! What could love, the unsolved mystery, count for in the face of this possession of self-assertion which she suddenly recognized as the strongest impulse of her being! “Free! Body and soul free!” she kept whispering. Josephine was kneeling before the closed door with her lips to the keyhold, imploring for admission. “Louise, open the door! I beg; open the door–you will make yourself ill. What are you doing, Louise? For heaven’s sake open the door.” “Go away. I am not making myself ill.” No; she was drinking in a very elixir of life through that open window. Her fancy was running riot along those days ahead of her. Spring days, and summer days, and all sorts of days that would be her own. She breathed a quick prayer that life might be long. It was only yesterday she had thought with a shudder that life might be long. She arose at length and opened the door to her sister’s importunities. There was a feverish triumph in her eyes, and she carried herself unwittingly like a goddess of Victory. She clasped her sister’s waist, and together they descended the stairs. Richards stood waiting for them at the bottom. Some one was opening the front door with a latchkey. It was Brently Mallard who entered, a little travel-stained, composedly carrying his grip-sack and umbrella. He had been far from the scene of the accident, and did not even know there had been one. He stood amazed at Josephine’s piercing cry; at Richards’ quick motion to screen him from the view of his wife.

When the doctors came they said she had died of heart disease–of the joy that kills.











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